Ed Emshwiller Movies

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated...

Emshwiller made this film on a Ford Foundation grant, and in his original proposal to the Ford Foundation, he outlined the film as "something that...

Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from...

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family,...

Emshwiller terms Family Focus a "family self-portrait, a stylized autobiography," which takes the form of an intimate collage of home movies,...

Experimental computer animation from pioneering artist Ed Emshwiller.

Home movies shot on Super 8mm by W+B Hein over 10 years.

Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson’s experimental...

Ed Emshwiller’s tender portrait of his wife, avant-garde science fiction writer Carol Emshwiller.

Made for Roger Reynolds's Voicescapes performance, containing elements from Emshwiller's previous film "Sunstone."

During the 1970s I shot, helped to make, or commissioned about ten document films, mainly about film-makers. This film is one of them. It was made...

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

In New York four years after the bombing of Hiroshima, a bible-carrying drifter who witnesses the rape and murder of a black woman is framed and...

George Orr, a man whose dreams can change waking reality, tries to suppress this unpredictable gift with drugs. Dr. Haber, an assigned psychiatrist,...

Power saws and a heartbeat score this experimental light-and-color shot by Ed Emshwiller.

In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate “space in a kind of flying...

Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic...

Emile de Antonio's film decimates Richard Nixon and exposes him as a paranoid, power mad lunatic... de Antonio compiles (via video and film) what...

"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they...